With drawing and painting as a mode of research, Gaspar dives into detail bringing a binocular-like vision to the fore.

His paintings resurface transformed perspectives, where borders become tangible, lines turn into substantial shapes, trees or legs are rendered as abstract blobs rather than their conventional forms.
Gaspar draws the reality out of his drawing, revealing the artifice and playfully exposing the trickster within.

All the while he effortlessly conveys that – like a child pronouncing a word without fully understanding its meaning – expressions need not be overly literal to be felt.