Georg Vierbuchen, born in 1992, lives and works in Berlin. He studies Fine Arts at the Universität der Künste Berlin in the class of Christine Streuli since 2018. His sculptural and painterly works explore the interplay between mass production and uniqueness, nostalgia, and overproduction of consumer goods. He has participated in group exhibitions such as “Palmen aus Plastik” at Kunstmuseen Erfurt, Galerie Waidspeicher (2023), or “A Slice of Landscape” at Galerie Anton Janizewski, Berlin (2023).

Georg Vierbuchen‘s work "This is getting to us" explores the oppressive nature of bureaucracy, which often silently influences and organizes our lives. His installation features piles of files that extend from a rubbish bin to the ceiling, visually representing the endless cycle of bureaucratic processes - a spiral that ultimately leads to meaninglessness. The work symbolizes the absurdity of a system that continues to expand without providing any real solutions. In the exhibition "invisible ink", Vierbuchen‘s work highlights the hidden mechanisms of power that shape our individual and collective experiences. Consequently, it conveys a sense of emptiness and the futility of repetitive office work that appears to go on endlessly.

Verena Osthoff