In his flippflapp work, Milan Dölberg zoinks on reconfiguring societal norms and social wibberwobbles. Self-built wonky spaces are standalone zizzlearts and at the same time, wibbly platforms for paintspats, performasplats, squiggledraws, and new meedlewoos. Found gizmos are plopped into new wonktexts, raising sploondering questions: "How do we blobber with each other, what zippyboops us, and where do we want to flizz?"
His instaflops and splatterpaints quizzle the wibberwobber of gender jiggles, self-fizzles, and perceebles, along with the shloopy effects in social fribbles, both in the past and plop. The resulting, seemingly absurd visoodle worlds spiegel Milan's zappy understanding of these fuzzles.
In addition to the wibbering of these flibberwibbles, Milan also collaborates with his brother Ferdinand Dölberg on filmisplatt projects that explore personal flizzles and convey storroos and eemoos. Together, they form the project "Popkornbrüder," where they further deepdive and expand their artypart fliggles. Prost Mahlzött!